Fireworks, flame, cold fog, confetti and flower showers — designed around your programme, cued to the music, and fired by a crew who has done it a thousand nights.
Trusted by the planners and venues who book them
No stock footage. Every clip below is a real Signature Xperience cue at a real event. Tap any tile to play it.
You tell us the venue, the programme and the moments that matter. We tell you what's possible there.
We map effects to your run sheet — entry, varmala, first dance, finale — and cue each to the track.
Venue permissions, fire safety sign-off and a site recce, handled before the day.
Crew on site early, rig tested, effects fired on cue. We're packed out before the lights come up.
Most of what we do happens metres from your guests — cold sparks beside a stage, fog across a dance floor, flame behind a couple. That only works with the right equipment, trained operators and a plan agreed with your venue in advance.
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“We run the cue sheet like a broadcast. Every hit lands on the beat, and no guest ever sees a cable.”
The standard, every night
“Four minutes between the varmala and the entrance is enough. We rig, fire and clear without touching your timeline.”
The standard, every night
Four weeks is comfortable — it leaves room for the site recce, licensing and a cue sheet everyone has signed off. We have turned work around inside a week, but only where the venue and permissions were already in place.
Yes. Cold sparks, CO₂, low fog, confetti, petals, bubbles and balloons are all indoor-safe subject to venue sign-off and smoke-detector isolation. Live aerial pyrotechnics and flame projectors are outdoor-only.
Aerial work stands down above the wind limit on the risk assessment — we will cancel an effect on the night rather than fire it outside its envelope. Indoor effects are unaffected, and we always carry an indoor alternative on the sheet.
Always. The cue sheet is built with whoever is calling the show, and we run our stack off the same timecode as the audio wherever the setup allows.
Cold-spark fountains are designed for proximity — that is the whole point of them. Everything else sits behind a marked exclusion zone held by our crew for as long as it is live. We stop the show rather than fire into a zone someone has entered.
Power at the firing positions, access for load-in, and a named contact in the venue's technical or fire team. We supply the documentation they will ask for.